| October 31st | ||
| TEATRO | AULA ROSA | |
| 17,30-18,30 | Registration | |
| 18,30-19.00 | Chaconne | |
| performance | ||
| Kristen Foote – Alberto Bologni | ||
| Welcome and opening | ||
| aperitivo | ||
| November 1st | ||
| TEATRO | AULA ROSA | |
| 9,30-11,00 | Piano Circus – contemporary I | Evolutionary Investigations: Music for Ballet Class 1900-Present |
| workshop | lecture | |
| Suzanne Knosp | ||
| coffee break | ||
| 11.30-13,00 | Acts of Transformation | Post Modern Dance in the United States: the freeing of forms |
| lecture | lecture | |
| Stephanie Jordan | Christian Cherry | |
| lunch | ||
| 14,30-16,00 | Pause and Repeat | The interaction of musical and ballet traditions in Tchaikovsky’s musical scores |
| lecture-performance | lecture | |
| Alan Good – Allen Fogelsanger | Galina Bezuglaya | |
| coffee break | ||
| 16,30-18,30 | Blind Date | Writing exercises I – Quaderno del Pianista al Ballo |
| improvisation | presentation | |
| Open to all participants | Barbara Cocconi | |
| November 2nd | ||
| TEATRO | AULA ROSA | |
| 9,30-11,00 | Piano Circus – contemporary II | Egyptian Fundamentals |
| workshop | lecture-workshop | |
| Annika Koskinen - Hjalmar Öhrström | ||
| coffee break | ||
| 11,30-13,00 | Piano Circus – ballet I | The embodied ensemble |
| workhsop | workshop | |
| Guy Harries | ||
| lunch | ||
| 14,30-16,00 | Dance/Music relationshipin José Limòn’s Chaconne | Composing New Music for a ballet class |
| lecture-performance | lecture | |
| Kristen Foote – Allen Fogelsanger | Kim Helweg | |
| coffee break | ||
| 16,30-18,30 | Blind Date | Writing exercises II – The Art of Class |
| improvisation | presentation | |
| Open to all participants | Karen MacIver | |
| November 3rd | ||
| TEATRO | AULA ROSA | |
| 9.30-11.00 | Piano Circus – ballet II | Pulse as fundamental and complex aspect of music and dance |
| workshop | lecture-workshop | |
| Katarina Lundmark - Hjalmar Öhrström | ||
| coffee break | ||
| 11.30-13.15 | Translucent Borders | The influence of the Spanish Music and Dance in the Classical Ballet and its accompaniment |
| Lecture-workshop | lecture | |
| Andy Teirstein | Juan Antonio Mata | |
| lunch | ||
| 15.00-16.15 | Coreographers, composers and collaborations | |
| lecture | ||
| Stephanie Jordan | ||
| 16,30-17,00 | ||
| Closing remarks | ||
| aperitivo | ||